Emily the Criminal review: Aubrey Plaza, gig-economy outlaw
Crime thrillers love to insist that crime doesn’t pay, which is pretty rich, since staying on the straight and narrow isn’t exactly lucrative either. While so many of these glorified Old Testament cautionary tales posit dollar-signs-over-the-eyes greed as the motive for leaping into the choppy waters of illegal transgression, anyone just trying to get by in the rigged system of






